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Boris Karloff as Frankenstein's monster in Bride of Frankenstein Universal considered making a sequel to Frankenstein as early as its preview screenings, following which the film's original ending was changed to allow for Henry Frankenstein's survival.
The script passed its review, but Whale, who by then had been contracted to direct, complained that "it stinks to heaven". Blochman and Philip MacDonald were the next writers assigned, but Whale also found their work unsatisfactory.
InWhale set John L. Balderston to work on yet another version, and it was he who returned to an incident from the novel in which the creature demands a mate. In the novel Frankenstein creates a mate, but destroys it without bringing it to life. Balderston also created the Mary Shelley prologue.
After several months Whale was still not satisfied with Balderston's work and handed the project to playwright William J. Hurlbut and Edmund Pearson.
The final script, combining elements of a number of these versions, was submitted for Hays office review in November Lanchester had returned alone to London when Whale contacted her to offer her the dual role.
She gave herself a sore throat while filming the hissing sequence, which Whale shot from multiple angles. Hobson recalled Clive's alcoholism had worsened since filming the original, but Whale did not recast the role because his "hysterical quality" was necessary for the film.
The moment he spoke you might as well Frye also filmed a scene as an unnamed villager and the role of "Nephew Glutz", a man who murdered his uncle and blamed the death on the Monster.
The bride's conical hairdo, with its white lightning-trace streaks on each side, has become an iconic symbol of both the character and the film.
Universal makeup artist Jack Pierce paid special attention to the Monster's appearance in this film. He altered his design to display the after-effects of the mill fire, adding scars and shortening the Monster's hair.
Strickfaden recycled a number of the fancifully named machines he had created for the original Frankenstein for use in Bride, including the "Cosmic Ray Diffuser",  and the "Nebularium". Fultonhead of the special effects department at Universal Studios at the time.
Horsely created the homunculi over the course of two days by shooting the actors in full-size jars against black velvet and aligning them with the perspective of the on-set jars. The foreground film plate was rotoscoped and matted onto the rear plate. Diminutive actor Billy Barty is briefly visible from the back in the finished film as a homunculus infant in a high chair, but Whale cut the infant's reveal before the film's release.
Would you write an unresolved score for it? The score closes, at Whale's suggestion, with a powerful dissonant chord, intended to convey the idea that the on-screen explosion was so powerful that the theater where the film was being screened was affected by it.
Air got into the suit and expanded it like an "obscene water lilly". The film was ten days over schedule because Whale shut down the picture for ten days until Heggie became available to play the Hermit. Whale re-shot the ending to allow for their survival, although Clive is still visible on-screen in the collapsing laboratory.
Mescall on set of Bride of Frankenstein Bride of Frankenstein was subjected to censorshipboth during production by the Hays office and following its release by local and national censorship boards. Joseph Breenlead censor for the Hays office, objected to lines of dialogue in the originally submitted script in which Henry Frankenstein and his work were compared to that of God.
He continued to object to such dialogue in revised scripts,  and to a planned shot of the Monster rushing through a graveyard to a figure of a crucified Jesus and attempting to "rescue" the figure from the cross.Classic movie site with rare images (no web grabs!), original ads, and behind-the-scenes photos, with informative and insightful commentary.
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The Bride of Frankenstein is a American science-fiction horror film, the first sequel to Universal Pictures' hit timberdesignmag.com is considered one of the few sequels to a great film that is even better than the original film on which it is based.
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