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See also, " Gooseberries " Criticism. Chekhov is commonly recognized as the most significant writer of the literary generation that ended the Golden Age of Russian authorship—the era of seminal novelists like Leo Tolstoy and Fedor Dostoevsky—and began the Silver Age—when the Russian symbolist movement flourished.
He is parlously distinguished for his formal and thematic innovations in the short fiction and drama genres, and Chekhov's writing is marked by a profound depth of insight into the universal human condition.
Although his early work demonstrated subjective sentiments and observations, the ultimate configuration of Chekhov's short fiction was one of supreme emotional balance and tonal control. This detached, rational artfulness distinguishes Chekhov's work from the confessional abandons of Dostoevsky or the psychological fantasies of Nikoali Gogol.
Due to this literary composure, Chekhov is often considered to be a master of the modern short story and is perhaps the most important short story writer of all time. Biographical Information Chekhov's grandfather was a serf who bought his freedom and Chekhov's father was a grocer in Taganrog, the village where Chekhov was born.
When the family went bankrupt inthe Chekhovs, without Anton, moved to Moscow to escape creditors; Anton remained in Taganrog untilwhere he completed his education and earned a scholarship to Moscow University to study medicine.
After graduation inChekhov went into medical practice, gaining from this experience a wealth of knowledge that would later become evident in his fiction; in fact, Chekhov had already begun publishing sketches in popular magazines to help support his family.
He wrote hundreds of light anecdotes and potboilers, mostly humorous, but failed to take them seriously.
These early works, generally looked upon as the first major period of Chekhov's writing —did, however, display many Chekhovian narrative permutations in the short story genre: This innovation being the penchant for dislocating the narrative of a story from its expected denouement and diverting, sometimes deflating, the story line itself, allowing a stress among the factual and the supposed.
Skazki Mel'pomene Tales of MelpomeneChekhov's first collection of short stories, appeared in and soon after he befriended Aleksey S. Suvorin, editor of the conservative Moscow daily journal Novoe vremja New Timesin which Chekhov contributed his first truly literary pieces. From to Chekhov was profoundly influenced by Tolstoy's ethics concerning morality, nonresistance to evil, and altruism; and this began the second epoch of Chekhov's fiction in which he experimented with lyricism and thematic contrasts: After Chekhov made his investigatory journey to the eastern Siberian penal colony at Sakhalin in —a trip he would later use as the subject of his sociological monograph Ostrov Sakhalin The Island of Sakhalin, first published in the leftist monthly Russian Thought between and ; in book form —he came to reject Tolstoyanism as an insufficient response to human suffering.
This spiritual upheaval brought about Chekhov's third creative era during which he produced his most complex and unique short stories and dramas.
Having earlier contracted pulmonary tuberculosis inChekhov died at a German spa in Major Works of Short Fiction Chekhov's transition from the prodigiously written, early humor stories to tales marked by themes of isolation and concern with social and psychological problems was marked by experimentation, a philosophical searching, and a creative evolution from realism to a melancholic lyricism.
Chekhov combined a keen use of brevity—gleaned from the stories of Guy de Maupassant—with a poetic and symbolic sensibility, culminating in new casts of short fiction, specifically the plotless story.
Some early, serious stories produced by Chekhov were told from a child's point of view, a technique used earlier by Tolstoy.
Chekhov also included in this story an adept portraiture of a child's dreams. At the end of the s Chekhov abandoned his pen name Antosha Chekhonte and adopted the doctrine of nonresistance to all evil, an influence of Tolstoy. However, beginning in the s, Chekhov no longer wrote stories overshadowed by Tolstoy's moral dogma.
Chekhov's trip to Sakhalin was largely responsible for this narrative mutation and philosophical rejection of Tolstoy; for it produced in Chekhov a concern for social issues such as the injustice, corruption, and violence of Russian society, and it was after this experience that his writing was dramatically refashioned.Autoethnography essays, teachers and essay markers want to see that youve developed a complex and in-depth understanding of a text and in order to show them this, you need to express your ideas clearly -Nothing is more important than simplicity and structure -A.
Dostoevsky collection critical essays wellek The best american essays. Wellek 6 Dostoevsky: A Collection of Critical Essays 10 "Religion and Literature," in Essays Ancient and Modern [New York, ], p.
95 Eliot 95 Essays Ancient and Modern Religion and Literature 11 Charles E. Passage, Dostoevski the Adapter (Chapel Hill: . Dostoevsky's search for motives in the Notebooks of Crime and punishment / Konstantin Mochulsky.
The first sentence in Crime and punishment, the work "crime" and other matters / Vadim V. Kozhinov. Philosophical pro and contra in part one of Crime and punishment / Robert Louis Jackson.
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On Dostoevsky’s linking of Roman Catholicism and socialism, see Jacques Catteau, ‘The Paradox of the Legend of the Grand Inquisitor in The Brothers Karamazov’, trans.
Françoise Rosset, ed. Robert Louis Jackson, Dostoevsky.
Feb 23, · Fyodor Dostoevsky’s “Grand Inquisitor” poses a question. Is it better to choose “freedom,” especially since freedom results in inevitable conflict, or is it better to choose “safety,” even if in order to achieve that safety we must give up our freedom.